THIS MORTAL COIL, a series by Emily Suvada

I met Emily Suvada at last year's Northern California Independent Booksellers Association Conference (NCIBA) and as soon as I heard the premise for THIS MORTAL COIL, and its follow-up, THIS CRUEL DESIGN, I had to read it:

Catarina Agatta is a hacker. She can cripple mainframes and crash through firewalls, but that’s not what makes her special. In Cat’s world, people are implanted with technology to recode their DNA, allowing them to change their bodies in any way they want. And Cat happens to be a gene-hacking genius.

That’s no surprise, since Cat’s father is Dr. Lachlan Agatta, a legendary geneticist who may be the last hope for defeating a plague that has brought humanity to the brink of extinction. But during the outbreak, Lachlan was kidnapped by a shadowy organization called Cartaxus, leaving Cat to survive the last two years on her own.

When a Cartaxus soldier, Cole, arrives with news that her father has been killed, Cat’s instincts tell her it’s just another Cartaxus lie. But Cole also brings a message: before Lachlan died, he managed to create a vaccine, and Cole needs Cat’s help to release it and save the human race.

Now Cat must decide who she can trust: The soldier with secrets of his own? The father who made her promise to hide from Cartaxus at all costs? In a world where nature itself can be rewritten, how much can she even trust herself?

The nightmare of the outbreak is finally over, but Cat’s fight has only just begun.

Exhausted, wounded, and reeling from revelations that have shaken her to her core, Cat is at a breaking point. Camped in the woods with Cole and Leoben, she’s working day and night, desperate to find a way to stop Lachlan’s plan to reprogram humanity. But she’s failing—Cat can’t even control her newly regrown panel, and try as she might to ignore them, she keeps seeing glitching visions from her past everywhere she turns.

When news arrives that the Hydra virus might not be as dead as they’d thought, the group is pushed into an uneasy alliance with Cartaxus to hunt down Lachlan and fix the vaccine. Their search takes them to Entropia, a city of genehackers hidden deep in the desert that could also hold the answers about Cat’s past that she’s been searching for.

But when confronted with lies and betrayals, Cat is forced to question everything she knows and everyone she trusts. And while Lachlan is always two steps ahead, the biggest threat to Cat may be the secrets buried in her own mind.

According to your website bio, you spent your childhood in Australia. In what ways, if any, did this influence your writing and storytelling? 

There are some amazing Australian science fiction books which influenced me as a child - Galax-Arena by Gillian Rubenstein comes to mind specifically. Australians are strongly into sci-fi in general, especially post-apocalyptic and "punk" scifi worlds. If you think about Mad Max, or Tank Girl, you can see a strong sci-fi aesthetic that's wholeheartedly Australian, and that's an aesthetic you can find in my work, too. I think it helps that most of the country is a landscape which will literally kill you if you're not prepared to go out in it. There are dangers everywhere, but we still love to get outdoors and go hiking in the wilderness as much as any other country. Writing about a world where the air can kill you in a pretty devastating way seemed fairly natural for this Australian author! Also, Aussies don't often get a shot to put their work out on a global stage, which gives us a bit of an underdog, ambitious, hungry culture and I think inspired me to work really, really hard to try to get my work onto global shelves as well as those at home in Australia.

Maybe that's why I love the worldbuilding in THIS MORTAL COIL so much. What inspired the idea of gene-hacking, and how did it develop as you wrote? 

The idea of genehacking came about through reading about the genetic editing work that people are currently doing! There are people in their homes right now, injecting themselves with amateur-created proteins to edit their own DNA. You can buy the equipment to do it on the internet! I looked at the history of genetic science, which has been developing at an incredible rate, and imagined what would happen if we could sequence DNA faster, if we could understand it better, and if we could alter or affect it just as quickly. Computers used to be the size of a room and they could only perform simple tasks - now we hold them in our hands and they can talk to us. I tried to imagine a future where genetic engineering had evolved to the point computers are now, and instantly knew we'd be looking at inbuilt, on-the-fly editing which would have to be based on a serious amount of algorithms and coding to work. And thus, the gentech in my world was born!

Fantastic. In THIS CRUEL DESIGN, Cat faces some new obstacles. In what ways do her new challenges shape her as a person?

Poor Cat. All she faces is obstacles! I think in THIS CRUEL DESIGN, she's not able to do as much developing and growing as she would like, because the world is ending, and it's ending fast. She learns a lot about herself and the people around her, but she just doesn't have time to take it in and has to respond instinctively instead. In This Cruel Design we really see her taking matters into her own hands a little more - her determination grows throughout the book - she's learning that she doesn't want to be a pawn, and she doesn't want to be controlled or lied to - that instead she wants to make her own decisions and lead her own story.

Something the best protagonists do. What are some of your current projects?

I'm currently working hard on the third and final book! I can't wait to share more details about it with you soon! Other than that, I have a lot of ideas I'm excited to pursue, but I'm focusing my efforts on closing out this trilogy before I let myself play in any shiny new worlds :D

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CIRCLE OF SHADOWS by Evelyn Skye

After THE CROWN'S GAME and THE CROWN'S FATE duology, I couldn't wait to see what Evelyn Skye wrote next. Luckily for everyone, CIRCLE OF SHADOWS debuted yesterday, January 22, 2019:

Sora can move as silently as a ghost and hurl throwing stars with lethal accuracy. Her gemina, Daemon, can win any physical fight blindfolded and with an arm tied behind his back. They are apprentice warriors of the Society of Taigas—marked by the gods to be trained in magic and the fighting arts to protect the kingdom of Kichona.

As their graduation approaches, Sora and Daemon look forward to proving themselves worthy of belonging to the elite group—but in a kingdom free of violence since the Blood Rift Rebellion many years ago, it’s been difficult to make their mark. So when Sora and Daemon encounter a strange camp of mysterious soldiers while on a standard scouting mission, they decide the only thing to do to help their kingdom is to infiltrate the group.Taking this risk will change Sora’s life forever—and lead her on a mission of deception that may fool everyone she’s ever loved.


In our last interview, you said you were working on a YA Fantasy. Is that the book that became CIRCLE OF SHADOWS?

It is! I tend not to talk about my works-in-progress when they are book babies, just because the ideas are fragile and not fully developed yet, but now you have it-- that YA fantasy I was working on was CIRCLE OF SHADOWS. It's a different kind of book than THE CROWN'S GAME series, in that it's a totally made-up world and lots of characters have magic (compared to The Crown's Game, which was set in a real, historical place, and only a few characters had magic). But it's still got deep friendships and complicated family ties, as well as big, bad fight scenes. I hope my readers enjoy it!

I'm sure we will! I love how the tensions between Sora and Daemon heighten as the plot unravels. Did both characters come to you fully formed, or did they develop as you wrote them?

Oh, gosh, no, Sora and Daemon (and every single character in CIRCLE OF SHADOWS) started out as totally different people than they eventually became. This book was actually a hard one for me to write, because I struggled a lot on what the core plot was going to be. Luckily, I have an amazing editor (Kristin Rens at HarperCollins/Balzer + Bray) who was very patient and who knows me very well, so she helped me find the true story that was buried in the mess of my early drafts. Once I figured out the plot, the characters developed differently than how I'd originally imagined. And because of the challenge that writing this book presented, I'm really really proud of how it eventually turned out.

That's wonderful! What do you think are necessary elements of a good story? 

First and foremost, you have to create memorable characters. If you don't have heroes that your readers care about, no one will bother finishing the book, even if it has a very interesting plot. In my opinion, it's crucial to write a cast of characters who have varying personalities and different desires, and to make sure there are both positive and negative feelings among them--love and hate, admiration and jealousy, trust and doubt. That contributes as much to the tensions in the story as the plot does.

I also think an interesting setting adds to the book. It's not necessary, per se, but it certainly adds to the unique feel of your story. Readers should be able to see and feel the atmosphere of the place where the story is set.

And then, of course, you need a riveting plot, one that keeps readers turning pages. This doesn't mean you need a relentless pace, but it does mean that your audience wants to know what's going to happen. They might have to put the book down to go to school or to sleep, but they should be thinking about your characters and your story even while they're away from the book. That's when you know you've succeeded in writing a good story.


Indeed. You've managed to keep publishing throughout your writing career. What has kept you going when things get tough?

I love writing more than anything else I've ever done. I get to make stuff up for a living! I get to provide people with an escape from the real world when they're immersed in the pages of my books. And I get to bring joy into their lives. Remembering this keeps me going when I'm having trouble writing. I have one of the best jobs in the world, and I wouldn't trade it for anything else. I wish for everyone out there this same kind of happiness in their work, whether it's writing or programming software or fighting forest fires or building satellites.

Before I go, I just wanted to thank everyone in the book community. Thank you for reading books. Thank you for blogging, bookstagramming, booktubing, selling books, telling friends and family about the stories you love, and loving our characters and made-up tales. You are magic, and I adore you all.

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ONCE A KING, Book Three in A Clash of Kingdoms, by Erin Summerill

If you ever have a chance to see Erin Summerill at an author event or a panel, definitely do so! She is an extremely engaging speaker. I've been excited about her books for quite a few years, especially this latest book in A Clash of Kingdoms:

Aodren: A lonely, young king, searching for a way to dismantle his father’s dark legacy.

Lirra: A girl with the power to control the wind, torn between duty and following her dreams

For twenty years, Channelers—women with a magical ability—have been persecuted in Malam by those without magic. Now King Aodren wants to end the bloody divide and unite his kingdom. But decades of hatred can’t be overcome by issuing decrees, and rumors of a deadly Channeler-made substance are only fueling people’s fears. Lirra has every reason to distrust Aodren. Yet when he asks for help to discover the truth behind the rumors, she can’t say no. With Lirra by his side, Aodren sees a way forward for his people. But can he rewrite the mistakes of the past before his enemies destroy the world he’s working so hard to rebuild?

Ever the Divided. Ever the Feared. Ever the Brave.

After saving King Aodren with her newfound Channeler powers, Britta only wants to live a peaceful life in her childhood home. Unfortunately, saving the King has created a tether between them she cannot sever, no matter how much she'd like to, and now he's insisting on making her a noble lady. And there are those who want to use Britta’s power for evil designs. If Britta cannot find a way to harness her new magical ability, her life—as well as her country—may be lost.

The stakes are higher than ever in the sequel to Ever the Hunted, as Britta struggles to protect her kingdom and her heart.

Seventeen year-old Britta Flannery is at ease only in the woods with her dagger and bow. She spends her days tracking criminals alongside her father, the legendary bounty hunter for the King of Malam—that is, until her father is murdered. Now outcast and alone and having no rights to her father’s land or inheritance, she seeks refuge where she feels most safe: the Ever Woods. When Britta is caught poaching by the royal guard, instead of facing the noose she is offered a deal: her freedom in exchange for her father’s killer.

However, it’s not so simple.

The alleged killer is none other than Cohen McKay, her father’s former apprentice. The only friend she’s ever known. The boy she once loved who broke her heart. She must go on a dangerous quest in a world of warring kingdoms, mad kings, and dark magic to find the real killer. But Britta wields more power than she knows. And soon she will learn what has always made her different will make her a daunting and dangerous force.


Your focus talk on "How to Do Hard Things" empowers middle grade and high school students to face their fears and achieve their goals. What originally inspired this talk, and how do you hope it might help people? 

The presentation was inspired by my own learning challenges. Growing up, I struggled in school because I’m dyslexic. It was difficult to read and difficult to write. I learned coping skills to help me get by, but it wasn’t until I had a helpful teacher give me guidance on how to stay goal focused that I was able to find success at school.

Such teachers are so needed, and I'm glad you found that kind of support! ONCE A KING is the third installment in the A Clash of Kingdoms series. What about Aodren's story did you feel most needed to be told?

I was drawn to tell a story about the challenges a leader of a country must face, and yet in those challenges they must choose the better good over fear. Aodren learns that leading with hate and prejudice will only decide a kingdom. My inspiration came from watching the election.

Sounds like there are some significant parallels! What do you think are the necessary elements of a good story?

The character is key for me. I need to understand what the character wants and needs and fears. I need to see the character as another human being. And once I’m invested, I’ll go on any journey with that character.

I know exactly what you mean! What are some of your current projects?

I decided to slow down just a little to go back to school. Writing is a lifelong process of learning. I was accepted to Vermont College Of Fine Arts for the Writing For Children and Young Adults program. I’m currently attending school, which tends to take a lot of my writing time. But I’m happy to say that I’m working on a YA fantasy inspired by my upbringing and a picture book.

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Buy: BookPassage ~ Amazon.com ~ Barnes & Noble ~  IndieBound

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FIRESTARTER, Book Three in the Timekeeper Trilogy, by Tara Sim

The Timekeeper Trilogy by Tara Sim offers a fascinating perspective into how time affects destiny. I'm sorry to see the series end, but FIRESTARTER promises to be a intriguing story that shows the liminal path between good and evil. The book will debut on January 15.

The crew of the Prometheus is intent on taking down the world’s clock towers so that time can run freely. Now captives, Colton, Daphne, and the others have a stark choice: join the Prometheus’s cause, or fight back in any small way they can and face the consequences. But Zavier, leader of the terrorists, has a bigger plan—to bring back the lost god of time.

As new threats emerge, loyalties must shift. No matter where the Prometheus goes—Prague, Austria, India—nowhere is safe, and every second ticks closer toward the eleventh hour. Walking the line between villainy and heroism, each will have to choose what's most important: saving those you love at the expense of the many, or making impossible sacrifices for the sake of a better world.






Clock mechanic Danny Hart knows he's being watched. But by whom, or what, remains a mystery. To make matters worse, clock towers have begun falling in India, though time hasn't Stopped yet. He'd hoped after reuniting with his father and exploring his relationship with Colton, he'd have some time to settle into his new life. Instead, he's asked to investigate the attacks.

After inspecting some of the fallen Indian towers, he realizes the British occupation may be sparking more than just attacks. And as Danny and Colton unravel more secrets about their past, they find themselves on a dark and dangerous path--one from which they may never return.




Two o’clock was missing.

In an alternate Victorian world controlled by clock towers, a damaged clock can fracture time—and a destroyed one can stop it completely.

It’s a truth that seventeen-year-old clock mechanic Danny Hart knows all too well; his father has been trapped in a Stopped town east of London for three years. Though Danny is a prodigy who can repair not only clockwork, but the very fabric of time, his fixation with staging a rescue is quickly becoming a concern to his superiors.

And so they assign him to Enfield, a town where the tower seems to be forever plagued with problems. Danny’s new apprentice both annoys and intrigues him, and though the boy is eager to work, he maintains a secretive distance. Danny soon discovers why: he is the tower’s clock spirit, a mythical being that oversees Enfield’s time. Though the boys are drawn together by their loneliness, Danny knows falling in love with a clock spirit is forbidden, and means risking everything he’s fought to achieve.

But when a series of bombings at nearby towers threaten to Stop more cities, Danny must race to prevent Enfield from becoming the next target or he’ll not only lose his father, but the boy he loves, forever.


If you could tell your younger writer self one thing, what would it be and why?

I would probably give her some tough love and say that she'll need to be patient and forgiving with herself in the years to come. Publishing is a tough industry, and when I was younger I definitely had grand aspirations. I think telling myself to learn patience would probably go unheeded, but at least I would try.

Patience is a tough virtue to learn, but you're right; it's absolutely necessary. In our last interview, when talking about CHAINBREAKER, you said, "I think this book helped me learn even more about how to bridge books 1 and 3 of a trilogy, about letting the book have its own arc while continuing the overall trilogy arc." What did you learn while writing FIRESTARTER, the last in the series?

In writing FIRESTARTER, it helped me learn more about resolution and how to end a character's arc. The characters go through a lot in this series, and their growth helped inform exactly how the book should end. Specifically, what they learned over the course of the story and how would they implement it in the climax.

And it offers good example of how plot and character are inevitably intertwined! What do you feel is the most important element of a good story?

Characters! I've forgiven some questionable plots because of how much I've loved the characters. If you have a cast that works well together and apart, and characters that the reader will root for/cry with/yell at, you're golden.

Indeed. You also have a forthcoming series from Disney Hyperion. Is there anything you can tell us about it yet?

SCAVENGE THE STARS is a YA fantasy reimagining of The Count of Monte Cristo, full of POC and queer characters. There's revenge, betrayal, forbidden romance...oh, and lots of gambling.

THE TIMEKEEPER SERIES

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Buy: BookPassage ~ Amazon.com ~ Barnes & Noble ~  IndieBound

Buy: BookPassage ~ Amazon.com ~ Barnes & Noble ~  IndieBound

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Top Ten Author Interviews from 2018

During the life of this blog, I've interviewed over 200 authors, and I've learned from all of them. Here are ten highlights from this past year:

Andrew Smith: RABBIT & ROBOT

Donna Everhart: THE ROAD TO BITTERSWEET

Farrah Penn: 12 STEPS TO NORMAL

Aminah Mae Safi: NOT THE GIRLS YOU'RE LOOKING FOR

Katherine Applegate: WISHTREE

Mary Robinette Kowal: The Lady Astronaut series

Jesse Andrews: MUNMUN

Nicole Maggi: WHAT THEY DON'T KNOW

Traci Chee: THE STORYTELLER

Alex White: ALIEN: THE COLD FORGE

LOU LOU AND PEA AND THE BICENTENNIAL BONANZA by Jill Diamond

I first fell in love with the Lou Lou and Pea series back in 2016, and I first featured it here. This newest installment finds the girls planning a big party in their neighborhood of El Corazón:

BFFs Lou Lou Bombay and Peacock Pearl are busy preparing for the Bicentennial Bonanza, their city's two-hundredth birthday bash! And this year, the party will take place in their beloved neighborhood of El Corazón. With a baking contest, talent show, and a new gazebo planned, the community can't wait to celebrate the founders (and historical BFFs), Diego Soto and Giles Wonderwood. But when Vice-Mayor Andy Argyle claims the festivities belong to Verde Valley, using a mysterious diary as evidence, Lou Lou and Pea smell trouble. Will the friends be able to uncover the secrets of their city's founding, and bring the Bonanza back to El Corazón?

Fun back matter includes a DIY garden party hat and a Spanish language glossary!

In our January 2017 interview, you said you were working on LOU LOU AND PEA AND THE BICENTENNIAL BONANZA. What, if anything, about the story has changed since then? 

At that point, the story was generally in its near-final form as far as plot was concerned. But, it definitely went through a lot of shining and polishing before it was published in April of 2018, not to mention Lesley adding her fabulous illustrations. I think I also fell more in love with the book as the publication process moved forward. Since, the first book, LOU LOU AND PEA AND THE MURAL MYSTERY, was my debut, I was attached to that story from the get-go, but with BONANZA, I grew to adore the story more and more as it became more familiar to me. Now, I love BONANZA and MURAL equally.

And it shows the unexpected ways that plot can develop during a polish! I also love how the Lou Lou and Pea books contain back matter like a DIY garden party hat and other crafting activities. Who comes up with the ideas for this content, and what do you like most about it? 

It's a collaborative effort, with my wonderful editor at FSG, Grace Kendall, doing a lot of the work. She was the genius behind the hat craft and the flower crown and even field tested the crafts with her younger cousins! I really like the fact that the crafts give readers a chance to essentially become part of the LOU LOU AND PEA world. A hands-on experience that brought me closer to a characters and a story is exactly the sort of thing I would have loved as a kid reader so I was delighted to include these things in the LOU LOU AND PEA books.

Excellent. If you could tell your younger writer self one thing, what would it be and why?

That I would publish a book one day, so keep writing! Although, my younger self was way more confident and consistent as a writer so I probably would have said, "DUH!" whereas my adult self would say, "No way, really?" I took a long break between being a very prolific young kid writer and not writing much as an adult. If I'd known that writing would turn into a beloved career for me, maybe I would have started earlier in adulthood and had time to learn more about craft prior to writing my first book.

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ENDGAMES by L.E. Modesitt, Jr.

I had the privilege of meeting L.E. Modesitt, Jr. at this year's WorldCon. I started reading IMAGER, the first in the Imager Portfolio series, and was immediately pulled into the story. The latest book in the series, ENDGAMES, will come out in February 19.

Solidar is in chaos.

Charyn, the young and untested ruler of Solidar, has survived assassination, and he struggles to gain control of a realm in the grip of social upheaval, war, and rioting. Solidar cannot be allowed to slide into social and political turmoil that will leave the High Holders with their ancient power and privilege, and the common people with nothing.
But the stakes are even higher than he realizes.

The Imager Portfolio:
#1 Imager / #2 Imager’s Challenge / #3 Imager’s Intrigue / #4 Scholar / #5 Princeps / #6 Imager’s Battalion / #7 Antiagon Fire / #8 Rex Regis / #9 Madness in Solidar / #10 Treachery’s Tools / #11 Assassin’s Price / #12 Endgames



What originally brought you to the genre of science fiction?

 When I was in grade school we lived south of Denver in a semi-rural suburb across the street from a forty acre cattle farm.  The nearest commercial establishment with reading material was close to two miles away, and the nearest library was four miles.  In my parents’ bedroom, however, was a three-shelf gray bookcase in which my mother kept all her science fiction paperbacks. They were much more appealing to me than my father’s law books and his beloved books by Somerset Maugham.  So I started reading them… and I kept reading SF through high school and college.

I never intended to write speculative fiction of any sort.  In college I worked on my poetry and was fortunate enough to study under William Jay Smith, who was later named U.S. Poet Laureate, and Clay Hunt, who offered the first truly critical assessments of my poetry, which provided the structure that I’ve used ever since in dealing with editors, and which can be simply stated as “tell me everything you find wrong with what I wrote, and then let me fix it.”

I was less than moderately successful as a poet, possibly because I tend to favor rhyme and meter, which have hardly been in vogue in the last 50 years, and was rejected by the Yale Younger Poet contest every year until I was too old to be a younger poet.  At that point, my first wife suggested that I might try writing science fiction, given that I’d read so much of it.  I did, and while my first submission was to ANALOG, and was kindly rejected by Ben Bova, he did allow me to fix it, based on his comments, and it was published, as I recall, in March of 1973.  Matters weren’t as easy after that, and I only sold about six stories out of close to a hundred that I wrote over the next five years. Then Ben Bova rejected another story and told me not to send him any more until I wrote a novel, because it was clear to him that I was a novelist trying to cram novels into story lengths.

After I wrote my first novel, since I had no agent, I submitted it to pretty much all the SF publishers I knew about, and after about two years, David Hartwell finally bought The Fires of Paratime for the Timescape imprint of Simon & Schuster. I’ve since sold every novel I’ve written, so far at least.


That's wonderful! ENDGAMES, the next book in The Imager Portfolio series, is set to release in February 2019. What do you want readers to know about this newest installment?

ENDGAMES is the sequel to ASSASSIN’S PRICE, and the last book about Charyn, the young ruler who unexpectedly came to power and who faces the turmoil of dealing with what amounts to the industrial revolution, the equivalent of the Reformation, and a civil war, all at once, in a world where the talent of imaging objects into being is held by a select few, of whom Charyn is not one.  And, oh, yes, Charyn also needs a wife and an heir, in the worst way possible, in order to provide political stability.


I can't wait to see how Charyn confronts these challenges! THE OUTCASTS OF ORDER is the latest in another of your series, The Saga of Recluce. In what ways, if any, did this story expand on the world you've already built?

The books in the Recluce Saga span more than 2,000 years and countries in five separate continents.  They’re the tales of individuals set in epic times, but they’re not really epic fantasy because the focus is on the individual, not the epic. Also, I didn’t write them in chronological order, because my mind doesn’t quite work that way.  In the first 19 books, no character occupies more than two books as the protagonist, and sometimes only a single book.

THE MONGREL MAGE was the twentieth book and began the story of Beltur, a very unaccomplished chaos mage who discovers that his problems lie in the fact that he’s really not a chaos mage at all, but an order mage. The events leading to this discovery require him to flee his homeland of Gallos to the neighboring country of Elparta, where he is initially more welcome. (In the interest of not providing spoilers, I’m, omitting all the exciting parts and battles.) In OUTCASTS OF ORDER, Beltur discovers that his romantic interest in an attractive young healer, among other things, makes him unwelcome to the mages of Elparta, and he and his love are again forced out of one country, and then another. These two books, along with the third book about Beltur [THE MAGE-FIRE WAR, coming next August from Tor], show the growing tensions between order and chaos mages that fuel the conflicts of the next thousand years, as depicted in eleven already-written books, and lead to the creation of the order-ruled isle of Recluce  and the glorious white city of Fairhaven, ruled by chaos mages.

Sounds like a rich world with lots of possibilities. What are some of your current projects?

I tend to focus on one book at a time.  I’ve just recently turned in the final version of a very, very, far future science fantasy stand-alone entitled, QUANTUM SHADOWS, or Forty-Five Ways of Looking at a Raven.  Now, I’m working on another Recluce novel, which takes place some sixteen years after THE MAGE-FIRE WAR, and has a different character as protagonist.
After that?  We’ll just have to see.

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For more books by L.E. Modesitt, Jr, visit his website: http://www.lemodesittjr.com/the-books/

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